Versilian Studios is a small company devoted to creating unique, well-constructed, and affordable sample libraries for composers. Our product line is mainly centered around orchestral instruments, but we sometimes branch out and include ethnic, rare, and just plain weird instruments. We pride ourselves in our prompt and personal customer service, highly playable instruments, and having a bit of fun along the way.
VS originally began producing virtual instruments in 2013, offering a unique Fretless Zither instrument. Since then, it has grown to work with a network of independent composers, performers, artists, designers, and scripters to create quality virtual instruments for the modern composer, currently encompassing more than 20 unique orchestral and world products.
The Prime Directive of Versilian Studios is, "uncompromising authenticity; addicting playability." We strive to create instruments that are naturally inspirational and unique, while remaining a strong respect for the proper techniques and heritage of the instrument. There is nothing better to hear from a tester than, "I just couldn't stop playing it."
Versilian Studios has been producing virtual instruments since 2013. That's like, 40 years in Internet time, right?!?
Sam had a problem. He wanted to keep his friend's fretless zither but also not have to buy it from him. So, he looked at all the multi-gigabyte orchestral libraries on his computer, said, "Gee, it can't be THAT hard!" and proceeded to make his first sample library. He currently spends all of his time thinking about how the about page looks. Perhaps if he gets back to work, he will finish the about page and get back to those support e-mails.
Sam knows things. He creates really cool Jazz music and has some mics he lets the previous Sam borrow from time to time. He also plays trumpet and various percussion instruments. He's the guy who performed on the Dan Tranh and a number of other instruments, and helps Sam figure out when his business ideas are rubbish.
Simon accidentally agreed to port a substantial orchestral library to Kontakt and completed it in under a year. Now he's agreed to make more of them and we don't think we can let him go back to composing music just yet. Rock on, Simon.
ELAN HICKLER / SOUNDEMOTE
Elan is the man. He cut 1,000 samples in a day once. He's like John Henry, but with samples. He lives in his secret lair somewhere in the American Southwest, equipped with enough sample cutting gadgets and gizmos that even Iron Man would be jealous. He started out as just another tester in 2013, but by the end of the year, he was cutting all of our libraries.